What keys to buy.

G A B-Flat C D E-Flat F

 

 I carry the following harps around with me in a Sears long socket holder bag. It’s a black piece of cloth that has 8 pockets for harps (or long sockets) and rolls up with a strap to hold it together.  I have a Low F, G, A, B-flat, C, D, E-flat, and F. The low G is a Special 20 and the rest are Big River Harps. The bag wraps up and fits nicely in my harp box. The box is a small 1940’s tweed makeup case that I converted for use with harps.  I unroll the socket holder on the top of the amp and I have written the keys of the harps with fabric paint on the pockets so I can find the harps quickly.

The low F gives me a choice when the band plays something in C. I dislike playing in C because it always sounds so shrill on the harp. The Low F doesn’t have so much of the blues harp character and is not very loud, but sometimes it is a nice alternative to the high F.

The B-flat and the E-Flat are good because the band sometimes has brass instruments joining in and they play better in F and B-flat. I used to carry an E harp to the jams, but I found that it is hardly ever used. There is not much need to play in the key of B. I keep an E harp loose in the box in case some joker wants to play in B.

Blues Harp sounds best around the key of G. I enjoy playing my B-flat harp in the key of F. The G harp is the lowest normal harp and sounds deep and sultry.  A is a good harp to have because Muddy liked to play in E and slide players still like to use an open E tuning. Delta blues is often played in E or A.

G, A, B-flat, C, D, E-flat, and F should suffice. If the band calls another key, it may because they want you to take a break from playing. Let them have their fun, but the next song will be in E and you'll be back, badder than ever.

 

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Playing "Help-Me" In the Style of Sonny Boy Williamson II: A step by step, note for note analysis of some of Sonny Boy's Signature Riffs

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Error Message Eyes: A Programmer's Guide to the Digital Soul
 

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The JT30 Page Popular links

I began collecting data about the microphones used by blue harp players before there was an internet. I began organizing it into JT30.com in the late 1990s. I accumulated more stuff than I remember. This is some of it.

Street Theory

A Harp Player’s Guide to Music Theory

Learning Harp

Picking Up Blues Harp

A guide to learning to play Blues Harp

Microphone Information

Usenet Articles


Harp Amps

I've been collecting Harp Amps for a while. This is the old Harpamps.com website. There is lots of information here. Here a coupld of links.


Harp Tab

A collection of songs and riffs that I’ve worked out over the years, plus some libraries of stuff I’ve converted to tablature. I’ve included most of the notes and instructions that helped me when I was learning to play blues harmonica.

Basic Riffs Simple harp tabs for songs Blues riffs and phrases.

Harp-L Archives 1992 to 2002


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2003

Harp Frequently Asked Questions